” In architectural design, each recognizable form and spatial arrangement is a sample from a prototype with its own context and history. Each time a known form or spatial arrangement is sampled meaning is communicated from the prototype to the new work. The decontextualization of the sample, its manipulation and recontextualization into a new work provides the architect a means for reinterpretation and reinvention. ”

Thomas, Jacob Stafford, “Architectural Sampling : the Integration and Manipulation of Meaning”, Master’s Thesis, Universitity of Tennessee, 2009

In music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds, or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated.

Молчат Дома (Molchat Doma) – Судно (Sudno), 2019
Cold Bath – Something left, 2019
The Blaze – Dancehall, 2018
Sylla & Sofiane Pamart – Pleine Lune, 2018
Terry Francis – Architecture, 2017
Brent Cash – The New High, 2017
Matt Marvane – Resistance, 2017
Seldom Colin – The Romantic Egoist, 2016
Blick Bassy – Akö, 2015
Baio – The Names, 2015
Stars – The North, 2012
Unknown Mortal Orchestra – Unknow Mortal Orchestra, 2011
Azari & III – Manic, 2011
Computer and Blues – the Streets, 2011
Cut Copy – Zonoscope, 2011
Beastie Boys – To the 5 Boroughs, 2004
Mo & the Reapers – Jammin’ The Blues, 2001
Winko – Yankee Hotel Foxtrott, 2001
Pink Floyd – The Wall, 1979
Pink Floyd – Animals, 1977
Yes – Going for the One, 1977
The Velvet Underground – Squeeze, 1973
Blue Oyster Cult – Blue Oyster Cult, 1972